{"id":520,"date":"2016-04-22T12:54:43","date_gmt":"2016-04-22T12:54:43","guid":{"rendered":"http:\/\/gabrielaoberkofler.com\/?p=520"},"modified":"2024-07-30T10:11:44","modified_gmt":"2024-07-30T10:11:44","slug":"wind-zog-auf","status":"publish","type":"post","link":"https:\/\/gabrielaoberkofler.de\/en\/wind-zog-auf\/","title":{"rendered":"Wind Picked Up"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":521,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"class_list":["post-520","post","type-post","status-publish","has-post-thumbnail","hentry","category-projekte"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    1,\r\n    2,\r\n    2,\r\n    1,\r\n    1,\r\n    1\r\n  ],\r\n  \"frameMargin\": 1,\r\n  \"leftFrameMargin\": 1,\r\n  \"rightFrameMargin\": 1,\r\n  \"topFrameMargin\": 80,\r\n  \"mus\": 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\"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-1280x719.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-1024x575.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-768x431.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-512x288.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-265x149.jpg\"\r\n          },\r\n          \"w\": 3000,\r\n          \"h\": 1685,\r\n          \"ar\": 0.5616666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Fussnoten\\\"><span class=\\\"name\\\" style=\\\"font-family: InterDisplay-BoldItalic;\\\">Bienenflug, Baum, rosa Bl\u00fcte, Baum, wei\u00dfe Bl\u00fcte, <\/span>2013, 2-Kanal-Videoinstallation, Farbe, Ton, 1:01:02 Stunden, Finanzielle Unterst\u00fctzung: Karin Abt Straubinger Stiftung<\/p>\"\r\n        }\r\n      ],\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_InterBoldGreen\\\"><span style=\\\"font-family: InterDisplay-BoldItalic;\\\">We are the bees of the Invisible<\/span><\/p><p class=\\\"_InterBold\\\">Gabriela Oberkofler derives the material for her rich detailed drawings, her objects, installations and videos first and foremost from nature. A sheep by the fence, a horse, bleeding from the muzzle, a horse cut in half, the legs of deer, wolf, cat, dog. Her interest is also focused on birds, as well as everything which turns green, comes into bloom and perishes once more: a young shoot, a twig, a heap of seeds, a fallen tree with monstrous forms. Pursuing her daily work of drawing in the studio, she leaves the space around each individual motif on the paper quadrangles empty, thus allowing a remarkably large area of the paper white to function free for itself. In essence everything which Gabriela Oberkofler draws or presents as an installation in the exhibition space remains a fragment. She dispenses with coherent narrative and every form of idyllic idealisation. It is the moments of loss, or being endangered and alienation which become palpable in her works instead.<\/p><p class=\\\"_InterBold\\\">There are many motifs which help us to surmise that she is an artist of South Tyrolean origin, but more concrete details about place, times of day or the season elude decipherment. Visual motifs such as the window, the bench, the balcony, the drinking trough or the geraniums continue to be baffling emblems instead, summoning a nervousness of spirit in the eyes of the beholder willing to fantasise upon the missing context.\u00a0<span style=\\\"font-family: InterDisplay-BoldItalic;\\\">Deshalb nur halb (mit Bett)\u00a0<\/span>[This is why only half (with a bed)], 2016 \u2013 the title of an installation in the so-called Herrenzimmer (men\u2019s study) in the City Gallery in Delmenhorst, Haus Coburg \u2013 assumes a programmatic character within this context (see p. 42).<\/p><p class=\\\"_InterBold\\\">From the very beginning Gabriela Oberkofler has bestowed considerable attention upon insects, thus addressing in essence our everyday life: for insects are our balcony guests, they sit on our cake slices, they live in our cupboards, they sleep and travel with us, but always have a tarnished image nevertheless. Their dodgy character, their love of begetting and their dispassionate involvement in death \u2013 the decompositional process for everything living \u2013 all awaken our profound mistrust.<\/p><p class=\\\"_Fussnoten\\\">Annett Reckert<\/p>\",\r\n      \"align\": \"middle\",\r\n      \"row\": 2,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 6,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"middle\",\r\n      \"row\": 3,\r\n      \"col\": 2,\r\n      \"colspan\": 8,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 2,\r\n      \"relid\": 16,\r\n      \"carousel_options\": {\r\n        \"random\": false,\r\n        \"autoplay\": false,\r\n        \"showMultipleSlides\": false,\r\n        \"freeScroll\": false,\r\n        \"mousewheelScroll\": false,\r\n        \"size\": \"aspectRatioOfFirstElement\",\r\n        \"slidesWidth\": \"null\",\r\n        \"transition\": \"sliding\",\r\n        \"loop\": \"1\",\r\n        \"spaceBetween\": 0,\r\n        \"captionsUnderSlides\": false,\r\n        \"autoplaySpeed\": 2000,\r\n        \"autoplayDelay\": 0,\r\n        \"transitionSpeed\": 300\r\n      },\r\n      \"carousel\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 531,\r\n          \"cont\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1-2560x1708.jpg\",\r\n            \"_1920\": 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Delmenhorst; Foto: Jens Weyers, Bremen<\/p><\/div>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 527,\r\n          \"cont\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-2560x1708.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-1920x1281.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-1280x854.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-768x513.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-512x342.jpg\",\r\n            \"_265\": 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H\u00f6rspiel: Pauline und ohne Namen, Zeichnungen; Frau, Mann und Hexe, Geranien ohne Fenster, Fischk\u00f6pfe, Pferdebeine, Rehbeine, Turm, Hornissennest, bestickte Kissen und Tapete; Installationsansichten St\u00e4dtische Galerie Delmenhorst; Foto: Jens Weyers, Bremen<\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 542,\r\n          \"cont\": \"\/wp-content\/uploads\/2024\/07\/106_Delmenhost_sRGB_144dpi.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2024\/07\/106_Delmenhost_sRGB_144dpi.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2024\/07\/106_Delmenhost_sRGB_144dpi-2560x1708.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2024\/07\/106_Delmenhost_sRGB_144dpi-1920x1281.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2024\/07\/106_Delmenhost_sRGB_144dpi-1280x854.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2024\/07\/106_Delmenhost_sRGB_144dpi-1024x683.jpg\",\r\n 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        \"_1024\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_02_sRGB_144dpi-1024x575.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_02_sRGB_144dpi-768x431.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_02_sRGB_144dpi-512x288.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_02_sRGB_144dpi-265x149.jpg\"\r\n          },\r\n          \"w\": 3000,\r\n          \"h\": 1685,\r\n          \"ar\": 0.5616666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Fussnoten\\\"><span class=\\\"name\\\" style=\\\"font-family: InterDisplay-BoldItalic;\\\">Bienenflug, Baum, rosa Bl\u00fcte, Baum, wei\u00dfe Bl\u00fcte, <\/span>2013, 2-Kanal-Videoinstallation, Farbe, Ton, 1:01:02 Stunden, Finanzielle Unterst\u00fctzung: Karin Abt Straubinger Stiftung<\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 524,\r\n          \"cont\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-2560x1438.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-1920x1078.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-1280x719.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-1024x575.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-768x431.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-512x288.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2024\/07\/Bienenflug_03_sRGB_144dpi-265x149.jpg\"\r\n          },\r\n          \"w\": 3000,\r\n          \"h\": 1685,\r\n          \"ar\": 0.5616666666666666,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Fussnoten\\\"><span class=\\\"name\\\" style=\\\"font-family: InterDisplay-BoldItalic;\\\">Bienenflug, Baum, rosa Bl\u00fcte, Baum, wei\u00dfe Bl\u00fcte, <\/span>2013, 2-Kanal-Videoinstallation, Farbe, Ton, 1:01:02 Stunden, Finanzielle Unterst\u00fctzung: Karin Abt Straubinger Stiftung<\/p>\"\r\n        }\r\n      ],\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_InterBoldGreen\\\"><span style=\\\"font-family: InterDisplay-BoldItalic;\\\">We are the bees of the Invisible<\/span><\/p><p class=\\\"_InterBold\\\">Gabriela Oberkofler derives the material for her rich detailed drawings, her objects, installations and videos first and foremost from nature. A sheep by the fence, a horse, bleeding from the muzzle, a horse cut in half, the legs of deer, wolf, cat, dog. Her interest is also focused on birds, as well as everything which turns green, comes into bloom and perishes once more: a young shoot, a twig, a heap of seeds, a fallen tree with monstrous forms. Pursuing her daily work of drawing in the studio, she leaves the space around each individual motif on the paper quadrangles empty, thus allowing a remarkably large area of the paper white to function free for itself. In essence everything which Gabriela Oberkofler draws or presents as an installation in the exhibition space remains a fragment. She dispenses with coherent narrative and every form of idyllic idealisation. It is the moments of loss, or being endangered and alienation which become palpable in her works instead.<\/p><p class=\\\"_InterBold\\\">There are many motifs which help us to surmise that she is an artist of South Tyrolean origin, but more concrete details about place, times of day or the season elude decipherment. Visual motifs such as the window, the bench, the balcony, the drinking trough or the geraniums continue to be baffling emblems instead, summoning a nervousness of spirit in the eyes of the beholder willing to fantasise upon the missing context.\u00a0<span style=\\\"font-family: InterDisplay-BoldItalic;\\\">Deshalb nur halb (mit Bett)\u00a0<\/span>[This is why only half (with a bed)], 2016 \u2013 the title of an installation in the so-called Herrenzimmer (men\u2019s study) in the City Gallery in Delmenhorst, Haus Coburg \u2013 assumes a programmatic character within this context (see p. 42).<\/p><p class=\\\"_InterBold\\\">From the very beginning Gabriela Oberkofler has bestowed considerable attention upon insects, thus addressing in essence our everyday life: for insects are our balcony guests, they sit on our cake slices, they live in our cupboards, they sleep and travel with us, but always have a tarnished image nevertheless. Their dodgy character, their love of begetting and their dispassionate involvement in death \u2013 the decompositional process for everything living \u2013 all awaken our profound mistrust.<\/p><p class=\\\"_Fussnoten\\\">Annett Reckert<\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6,\r\n      \"absolute_position\": false\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 16,\r\n      \"carousel_options\": {\r\n        \"random\": false,\r\n        \"autoplay\": false,\r\n        \"showMultipleSlides\": false,\r\n        \"freeScroll\": false,\r\n        \"mousewheelScroll\": false,\r\n        \"size\": \"aspectRatioOfFirstElement\",\r\n        \"slidesWidth\": \"null\",\r\n        \"transition\": \"sliding\",\r\n        \"loop\": \"1\",\r\n        \"spaceBetween\": 0,\r\n        \"captionsUnderSlides\": false,\r\n        \"autoplaySpeed\": 2000,\r\n        \"autoplayDelay\": 0,\r\n        \"transitionSpeed\": 300\r\n      },\r\n      \"carousel\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 531,\r\n          \"cont\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1-2560x1708.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1-1920x1281.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1-1280x854.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1-768x513.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1-512x342.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2024\/07\/23_Delmenhost_sRGB_144dpi-1-265x177.jpg\"\r\n          },\r\n          \"w\": 3000,\r\n          \"h\": 2002,\r\n          \"ar\": 0.6673333333333333,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<div class=\\\"caption\\\"><p class=\\\"_Fussnoten\\\"><span style=\\\"font-family: InterDisplay-BoldItalic;\\\">Roseliebsche Beuten,<\/span> 2016, 7 Bienenbeuten, Holzkonstruktion, Blumen; Installationsansichten St\u00e4dtische Galerie Delmenhorst; Foto: Jens Weyers, Bremen<\/p><\/div>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 527,\r\n          \"cont\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-2560x1708.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-1920x1281.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-1280x854.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-1024x683.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-768x513.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2024\/07\/12_Delmenhost_sRGB_144dpi-512x342.jpg\",\r\n            \"_265\": 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